Putting the "Music" in "Zipperface!!?!: The Hobo Musical" (plus a rather exciting announcement)

A month or so ago I went to New York to interview for an internship with the Colbert Report in the fall. It's was an absolutely massive long shot. Like Eugene O'Neill stage directions long. So I decided not to write anything about it here since I didn't want to jinx myself and I also didn't want to spend months telling everyone who had read the post that I eventually didn't get it.
But I got it.

Yay, hooray for me. I'm awesome, I know. But, yeah, this fall I will be spending three days a week trying to bring Stephen Colbert coffee without accidentally making direct eye contact. It's easily the coolest thing that's happened to me in years. However, I'm going to my best not to get too excited about it since the amount of joy and excitement I feel about something is directly related to the amount of ways it will fall apart right in front of my eyes.

So, to keep from thinking about it, I've been thinking about other cool things Like the fact that the music from Zipperface, the musical I co-wrote, is online! That's right, Brent, resident CAP documenter has uploaded a bunch of songs and soundbites from the show and they're absolutely great.
Of course, let me do my paranoid creater thing and point out the deficiencies right off the bat. Unfortunately, these were taken from the worst performance so I can hear all kinds of problems. Most obviously, this was the night that the guitar was knocked over back stage and was then out of tune for Terry's song (one of my favorites in the show, dammit) so that Dave had to stop playing. Also, you can hear people stumble over lyrics and pacing a few times and somehow we lost the recording of the title song.

Oh, I'm gonna shut up. The songs sound great and it's fantastic to finally get to hear them again. Dave, Andy, and I (and I hope Zach, as well) will be giving them and the eventual video (when it's edited) our undying attention as we try to rewrite the script and bring Zipperface to the next stage. Until then, you can enjoy these as they are and you people who missed the show can kind of see what I've been talking about for the past few months (and be really fucking confused by the references to robots and dinosaurs).

So, here are a few samples.


First off, is the opening tune by a couple members of the Hobo Band:

I can't say enough about how much these guys added to the show. They were made up by members of the New Brunswick band, the Seal Club and were led by Zach Wiseley. Zach is an absolute genius. He also arranged the songs and was able to make them sound like actual musical tunes. I would ask him to do ridiculous stuff like, "Hey, Zach, could you arrange a mixture of all the songs in the first act into one tune to play at the beginning of the second act?" and he'd just do it. Absolutely amazing.

Next we have Morese singing one of the best songs in the show:

Again, this is the night with the shitty guitar. You can hear it right at the beginning. It's so depressing because I absolutely love this song. Fortunately, Morese sells the rest of it and the band sounds great otherwise so it still works. Brent included some dialogue at the end with the punchline of the song. It's a visual joke, so you people who missed the show are gonna be lost, but the rest of us can have fun reminiscing.

Unsurprisingly, I also am posting the Cuban Robot Wars medley, which Brent kept in its entirety. It may be seven and a half minutes long and utterly nonsensical to anyone who didn't see the show (and some who did) but it includes my cameo so, whatever. Plus, it's pretty damn rocking:

For you people who are really confused, here's a brief explanation. I'll try my best to make it simple. The play Zipperface is narrated by a hobo. In the beginning he states that the reason he is able to create the show is because he has software implanted in his head from something he calls "the Cuban Robot Wars". The audience usually shrugs this off as just silly dialogue from a crazy character, however, in act two, the play is interrupted by the narrator having a seizure. Another hobo takes over, however, he doesn't actually know the plot of Zipperface so, when the show starts up again, the audience gets treated to an entirely different musical set during the fabled wars and starring all robots. I played the lead robot.
Understand? Eh. I tried.
In the things that go wrong category, this was the night that I started to laugh and then said "robat" instead of "robot" during my first line. Pretty embarassing to fuck up one of lines when you only have about eight. Especially if you wrote it.

And finally, the best song in the show, the Finale Song:

Nothing went wrong here. This song rules and it will always rule. Plus, this was the night Izzy came to see the show and she was nice enough to hoot when I came onstage to deliver my line. This makes it sound to the untrained ears like I'm some kind of super stud. If only.

If you want to listen to the rest of the songs, you can download them here:
Download: Zipperface!!?!: The Hobo Musical - Music and Soundbites
Again, it's missing the title song but there are a few well-chosen soundbites to make up for it. Like this one:


God, I love this show.

And, hey, I'm interning at the Colbert Report!